Velocity Weapon by Megan E. O’Keefe

First of all, let me start by saying I thoroughly enjoyed Velocity Weapon from beginning to end. And, like any good roller coaster ride, this one starts off with a few gentle reveals, and slowly—at first—builds up to a number of startling revelations, as you crest a peek, wondering what the hell is coming next and then? Suddenly you are being plunged head first over a dramatic cliffhanger, rolling at breakneck speed towards the next clever twist in the plot. So that, just when you think you have an inkling of what might be going on, O’Keefe pops your bubble and blindsides you. Nothing, as they say, is ever what it seems. As it should be with any good story.

Introducing our characters, the story opens with Gunnery Sergeant Sanda Greeve waking up in a medical bay after a battle, and discovering not only is she on an enemy ship, but she’s naked and … oh, look, only has one leg!

Before we know it, she makes another starling discovery. The ship she’s on is tech far in advance of that of her own people—the Primes—but more, it has a sentient AI. The Light of Berossus or, Bero, as he introduces himself to Sanda, has scooped up her emergency pod thereby saving her for a slow sure death. But wait, there’s another twisted surprise in store for our beleaguered Sergeant. Bero tells her it is now 230 years in the future after the battle of Dralee.

I mean, come on, what a great opening.

Intersecting Sanda and Bero’s story, we have Biran, Sanda’s brother, a newly anointed ‘Keeper’ who’s about to get into a lot of trouble, never mind, political intrigue, even before he’s read his acceptance speech. And oh boy, does O’Keefe drop us, and poor Biran, straight into the deep end from the get go. The poor guy has to navigates shark infested political waters but seems to find a mentor in Keeper Lev. But is his saviour really an alley, or just using him for his own ends?

Well, we all know the answer to that, no one is ever as they seem. And, awash in trying to make sense of just what’s going on, Biran—and us along for the ride—has to act fast and on his feet. Believing he is acting for the best interested of Ada, finds out just who is friends really are. And while we watch him inadvertently chumming the deep water he’s frantically treading, we get to meet the major players in Biran’s circle and sphere. The Keepers of Prime. Living a life of what is for most, a life of luxury, on a space station circling the dwarf planet Ada. A planet picked for its location, specifically for the Prime Corp. to build another of its all-important Gates. A Casmir Gate that affords the Gate-Keeping Primes access to near instant travel across the galaxy.

Young, inexperienced, and way out of his depth, nonetheless, Biran, goes all out to find out what’s really going on, and what not only happened to his sister at the merciless battle of Dralee, but why their nearest neighbour in the system, the Icarions, are so hell bent on destroying Ada, the Keepers, and, it would seem, the Gate itself.

There is a subtle and not so subtle interplay of politics—via Biran’s threads—and what’s happening on Ada. And then, there’s the reality of life in space, as seen in Sanda’s thread, thinking she is the last living person in the system, mourning the loss of everyone she ever loved and held dear.

Then there is the even more harsh reality of life on the fringes of society, as seen via Jules Vicenza, part of a nickel and dime crew dodging the law, and other criminal gangs, while heisting anything left lying around, unguarded. Jules, and her cohorts, live in the Grotta—a backend festering carbuncle on the arse of the gleaming city-dome, that is Alexandria-Atrux. But the proverbial shit hits the fan for Jules and the team when the heist what they think is an unguarded cache of the drug, Wraith. And discover much more than they bargained for when Jules steals some data pads, and more, a vial of pearly liquid. Thereby setting off a string of events that will cost them all dearly.

I won’t go into details but will tell you, the author will keep you on your toes, so pay attention, there’s a lot going on here. So much so, it’s all but impossible to distill it all down into a few short paragraphs. What we have is solid world building, a crew of well fleshed out characters, and a plot with plenty of twists and turns as to give you neck ache. But, be warned, not everything ends as you might think, as O’Keefe sets us up for what is surely to come in subsequent instalments of this enjoyable series.

Oh, I do so love, a complicated, twisty plot. And O’Keefe certainly delivers.

Bring on the Fantasy

Not all fantasy has to be grim.

After having a back and forth chat with an online friend about fantasy reads, I admitted I had never read GRRM and was not likely too, ever. The truth is I’ve not read a great deal of fantasy over the last 4-5 years and it took the likes of the masterful SA Chakraborty and her Daevabad trilogy to rekindle my love of the genre before Covid hit us hard.

Well, not all aspects of the genre, which has, in the intervening years since I started, spawned as many sub genre as science fiction has. Including the one I dislike the most and the one that seems to be a fantasy fan’s favourite these days if BookTok is anything to go by. I’m talking about grimdark. The very same genre that GRRM seems to be like writing. The kind that is extra violent. The kind wikipedia says of:

“Grimdark is a subgenre of speculative fiction with a tone, style, or setting that is particularly dystopian, amoral, and violent.”

My fantasy reading preference lean more towards the stories of Chakraborty and Bennett and a clutch of other new and emergent authors. Writers adding a fresh new slant to some familiar tropes and making them their own. Check out these authors if you haven’t already done so:

  • Luke Arnold — The Last Smile in Sunder City
  • Devon Madson — We Ride The Storm, In Shadows We Fall
  • SA Chakraborty — City of Brass
  • Sarah Beth Durst — Race the Sands
  • Dan Hanks — Captain Moxley and the Embers of the Empire
  • Malinda Lo — Ash
  • Jim C. Hines — The Stepsister Scheme, The Mermaid’s Madness
  • Robert Jackson Bennett — Tainted Cup, Foundryside

And you, what new fantasy authors have you discovered lately, if any?

A Million Words

I’m following in David’s footsteps from over at Forking Mad, when he asks:

What things are easy for you to write about? What things are hard?

As someone who has written literally millions of words and curated just as many since moving into print and publishing, it’s a mute point as to what’s hard and what’s not when it comes to writing. Whether it’s for myself or work, a short story or a blog post, each offers it’s own set of challenges and sometimes, obstacles. Including do I really want to write today to, “Oh my god the deadline is when tomorrow?”

When it comes to writing for myself, I have no set agenda I write when inspired and enjoy the whole process rather than subject myself to pressure for whatever reason. My short stories are written when they’re written, same goes for a blog post. I simply do not stress anymore. And for good reason. I’ve had a life time’s worth of deadlines and stress working in publishing so now, I take the approach, this is for me, it should be fun.

I want to enjoy life, and that includes my writing. I want it to be something done purely for pleasure. 

And you? What do you find fun or hard about writing? 

𖡼.𖤣𖥧𖡼.𖤣𖥧